Printing, engraving, embroidery and embossing of your logo on merchandise, clothing and packaging. 14 techniques under one roof — we brand items from our range and products supplied by the client.
Merchandise only works as advertising once it carries your logo. Durable branding keeps a mug, pen or bag working for your brand for years instead of ending up in a drawer.
We print on plastic, metal, wood, rubber, textiles and glass. The whole process stays in-house: artwork, layout, films and printing plates, and the print run itself. That gives us control over quality and lead time, and the price carries no subcontractor margin.
Three things decide: the product material, the number of colours in the logo and the run size.
Digital methods print full colour without a separate plate for each colour.
A mark made in the material itself cannot rub off or fade.
The choice depends on the fabric, garment colour and quantity.
The cost of the screen or plate is spread across the whole run.
Digital printing with inks cured by UV light the moment they are applied. No plates or screens, so it pays off even for a handful of items.
Direct to Garment — pigment ink applied by a print head straight onto the fabric, like an inkjet printer. Reproduces photos and tonal gradients.
Heat turns the dye into gas, which penetrates the fibre or coating. The print cannot be felt and does not crack.
Artwork printed digitally on transfer film, contour-cut and applied with a heat press.
A printed sticker covered with clear polyurethane resin. The resin forms a raised lens that protects the print and adds a 3D effect.
Ink is transferred from an etched plate onto the product by a silicone pad. The pad follows the shape, so it prints on curved and irregular surfaces.
Ink is pushed through a mesh stencil. It leaves a thick, opaque layer with strong colour — also on dark surfaces.
Screen printing with textile inks. The print survives repeated washing and keeps its colour.
A design cut from film (flex, flock) or printed on transfer paper and applied to the product with heat and pressure.
A print in ceramic inks on decal paper, applied to the item and fired in a kiln. The ink fuses with the glaze.
A laser beam permanently alters or removes the top layer of the material. There is no ink, so nothing can wear off. Every item can carry different text — a name, number or code.
The logo is pressed into the material with a heated die. Either without colour (blind embossing) or with gold, silver or coloured foil (hot stamping).
The logo is stitched by machine from an embroidery program prepared from your file. Raised, durable and wash-proof. The price depends mainly on the stitch count, i.e. the size and density of the design.
Woven or printed sew-in labels and card hang tags with your logo. The finishing touch that makes clothing look like a brand product rather than a giveaway.
| Method | Colours | Materials | Each item different |
|---|---|---|---|
| UV printing | Full CMYK colour, white underbase on dark surfaces, optional varnish. | Plastics, metal, wood, glass, PU leather — flat or slightly curved surfaces. | yes |
| DTG | Full colour; on dark garments with a white underbase. | Cotton and cotton-rich fabrics. | yes |
| Sublimation | Full colour, including photographs. | White or light polyester fabrics and sublimation-coated products only. | yes |
| Digital heat transfer | Full colour and gradients, also on dark fabrics. | Cotton, polyester, blends, nylon. | yes |
| Doming | Full colour. | Flat surfaces: metal, plastic, wood. | no |
| Pad printing | Pantone colours; each colour needs its own plate and pass. | Plastics, metal, glass, rubber. | no |
| Screen printing | Pantone colours; a separate screen for each colour. | Paper, plastics, glass, metal; flat and cylindrical products. | no |
| Textile screen printing | Pantone colours; on dark fabrics with a white underbase. | Cotton, polyester, blends. | no |
| Heat transfer | Film colours, including metallic and reflective. | Textiles, nylon, polyester, coated materials. | yes |
| Ceramic decal | Pantone colours, also gold and platinum. | Porcelain, ceramics, glass. | no |
| Laser engraving | One; the colour comes from the material: silver on anodised aluminium, dark on wood and bamboo, frosted on glass. | Anodised aluminium, steel, wood, bamboo, leather, PU leather, glass. | yes |
| Embossing | No colour or foil colour. | Leather, PU leather, paper, card. | no |
| Machine embroidery | Several to over a dozen thread colours in one design. | Cotton, fleece, softshell, knitwear, cap fabrics. | no |
| Labels and tags | Depends on type: woven — thread colours, printed — full colour. | Woven tape, satin, card. | no |
Send your logo file, the products and quantities. We will recommend a method if you are not sure.
We prepare a preview: position, size and colours of the branding on the product.
Once approved, we make the films, plates, screens or embroidery program.
We brand, check quality and ship the finished products.
Vector is best: AI, EPS, PDF or SVG, with text converted to outlines. If you know your Pantone colours, include them. For digital methods (UV printing, DTG, sublimation) a PNG or JPG at a minimum of 300 dpi at print size is enough. If you only have a low-quality bitmap, we will redraw it as a vector.
Yes. We brand items from our range and products supplied by clients. Before the order we check whether the material and shape suit the chosen method — ideally on a sample.
Ceramic decal. The ink is fired and fuses with the glaze. Sublimation and UV printing look good on mugs but are less resistant to detergents and high dishwasher temperatures.
Engraving adds no colour — it changes the material. On anodised aluminium it reveals silver metal, on wood and bamboo it gives dark brown, on glass a frosted mark, on steel a dark mark. If the logo must be in your brand colour, choose UV printing or pad printing.
Yes, with plate-free methods: laser engraving, UV printing, DTG, heat transfer and digital heat transfer, sublimation. A spreadsheet with the names is all we need.
In pad printing and screen printing each colour needs its own plate or screen and a separate pass. A logo with gradients or a photo is better done with a digital method, where the number of colours does not matter.
Embroidery has limited resolution: very small text and thin lines lose legibility. When preparing the embroidery program we simplify such elements or suggest a larger size.
Send us your logo and describe the product. We will recommend a technique and prepare a quote with a visualisation.
